The breaking of the seventh seal is minimal in the extreme. It is devoid of action:
“When the Lamb broke the seventh seal, there was silence in heaven for about half an hour” (Rev 8:1)
Summary
Many commentators assume that the seventh seal includes the seven trumpets (Rev 8-11). However, another article has concluded that the sixth seal describes a point in time during Christ’s return. Since the seven trumpets describe a time when people still have an opportunity to repent, the trumpets cannot be part of the seventh seal. For a further discussion, see – Does the seventh seal include the seven trumpets?
For the following reasons, it is proposed here that the seventh seal is the sorrow in heaven when the multitude hiding in the mountains in the sixth seal (Rev 6:15) is put to death at Christ’s return (Rev 19:21):
1) Satan’s Objections Refuted
Previous articles concluded as follows:
The seventh seal is the last seal of the Book of Life. That book identifies the people whom God had elected to eternal life.
The seals of the book are Satan’s informed objections to the grace God grants those people.
That nobody is able to open that book (Rev 5:3) symbolizes that the heavenly beings are unable to refute Satan’s objections. In other words, they are unable to prove that God’s judgments are always perfect.
That Jesus breaks the seals (e.g., Rev 6:1) means that He directs events on earth to refute Satan’s objections.
Consequently, when the seventh and last seal is broken, all of Satan’s accusations have been refuted and all barriers to understanding God’s judgments are removed. Then there would be no further need to allow evil to continue to reign on this planet and God could implement His judgments through the return of Christ.
2) The Sixth Seal is His Return.
Secondly, since it has been concluded that the sixth seal describes a point in time during Christ’s return when humanity is divided into two great multitudes, the seventh seal should be the consequence there-of.
3) All main parts end with Christ’s Return.
Thirdly, Revelation consists of five main parts. Except for the first (the seven churches – Revelation 1-3), all other main parts conclude with Christ’s return:
Seven trumpets – Revelation 8-11 (Rev 11:15);
Seven wars – Revelation 12-14 (Rev 14:14);
Seven last plagues – Revelation 15-19 (Rev 19:11).
Since the seventh seal is so very brief, it must be understood relative to the context. For the reasons above, it is proposed that the silence in heaven of the seventh seal is caused by the immeasurable sorrow in the heart of God and in the hearts of His people at the destruction of billions of people at the return of Christ (Rev 19:20-21).
– END OF SUMMARY –
The seventh seal does not include the seven trumpets.
For reasons such as the following, many commentators assume that the seventh seal includes the seven trumpets (Rev 8-11):
Nothing happens in the seventh seal.
The seven trumpets follow immediately after the seventh seal.
The seventh seal is the first verse of chapter 8 and everything else in that chapter describes the trumpets.
If the seventh seal includes the seven trumpets, it would mean that the seven trumpets follow chronologically AFTER the first six seals.
However, for reasons such as the following, the trumpets cannot be part of the sixth seal:
In the trumpets, the people refuse to repent but in the sixth seal, they hide in the mountains because they fear the presence of the Lord (Rev 6:16). The sixth seal, therefore, describes a later time.
While hiding, they say that “the great day of their wrath has come” (Rev 6:17). The only other place where we find the phrase “great day” in in Reve;lation 16:12-14 where it is identified as Armageddon.
During the seven last plagues, which immediately precede Christ’s return. the people still refuse to repent (Rev 16:9, 11, 21). Since, in the sixth seal, they hide in mountains “from the presence of Him who sits on the throne, and from the wrath of the Lamb” (Rev 6:16), the sixth seal describes a time later than the seven last plagues; very close to the return of Christ.
The trumpets, on the other hand, warn unbelievers of the coming judgment, and, therefore, represents the time when they still have the opportunity to repent, which is before the seven last plagues. The seven trumpets, therefore, describe the time before the sixth seal ends. Therefore, the seven trumpets cannot be part of the seventh seal. For a further discussion, see the article – Does the seventh seal include the seven trumpets?
In support of this view, another article shows that the main parts of Revelation, such as the seven seals and the seven trumpets, are parallel to one another and that the events in Revelation are NOT given in strict chronological sequence.
PUT TO DEATH WHEN CHRIST RETURNS
As stated, the multitude that hides in the mountains in the sixth seal (Rev 6:15) is killed at the return of Christ. For example:
“The rest were killed with the sword which came from the mouth of Him who sat on the horse, and all the birds were filled with their flesh” (Rev 19:21).
“The wine press was trodden outside the city, and blood came out from the wine press, up to the horses’ bridles, for a distance of two hundred miles” (Rev 14:20).
THE SEVENTH SEAL IS THE RETURN OF CHRIST
For the following reasons, the seventh seal is the sorrow in heaven when this multitude is destroyed at Christ’s return:
BOOK OF LIFE IS FULLY OPEN.
The seventh seal is the last seal of the book which the Lamb received in the fifth chapter (Rev 5:7). This is the Book of Life, containing the names of the saved. As discussed in the article – How Christ resolves the crisis – the seals are Satan’s accusations. Breaking the seals means that Christ refutes Satan’s arguments and shows that God’s judgments are perfect. When the last seal is broken, all of Satan’s arguments are refuted and God’s judgments are is fully understood. At that time, there would remain no further questions about God’s judgments, and God can make an end to the reign of evil through the return of Christ. God would not allow evil to reign a second longer than necessary.
THE SIXTH SEAL HAS THE SIGNS OF CHRIST’S RETURN.
This point in already mostly covered above. The sixth seal shows the people hiding because they can now see with their physical eyes that Christ is coming, but Christ has not yet arrived. Furthermore, the interlude between the sixth and seventh seals, by describing a great multitude standing before the throne, gives the answer to the question, “who will be able to stand” on “the great day of their wrath” (Rev 6:17; 7:9)? As argued in the article on the Innumerable Multitude, this multitude is shown to us at exactly the same time as in Rev 6:17; immediately before the return of Christ. The seventh seal, therefore, must be the Return of Christ or even after His return.
OTHER SUPPORT
The following is further support for the proposal that the seventh seal is the return of Christ:
Other main parts of Revelation (the seven trumpets (Rev 8-11), the seven wars (Rev 12-14), and the seven plagues (Rev 15-20) end with the return of Christ. As mentioned above, the main parts of Revelation, such as the seven seals and the seven trumpets, cover the same period of time. –
The seventh seal is the first verse of chapter 8, which begins the seven trumpets. This may imply that the seventh seal belongs to the seven trumpets. However, the chapter divisions are not inspired. They were not part of the original text. They were added many centuries later. –
The Old Testament associates silence with God rising for judgment: He “caused judgment to be heard from heaven; The earth feared and was still when God arose to judgment” (Ps 76:8-9; See also Zeph 1:7; Zech 2:13 and Hab 2:20). –
In all the earlier seals, when the Lamb breaks the seals, something happens on earth. This implies that the seventh seal is also something that happens on earth.
HALF AN HOUR
This is the only place in the New Testament where the word translated “half hour” appears. “The ten horns … receive authority as kings with the beast for one hour” (Rev 17:12). Since this cannot be one literal hour, we should not interpret half an hour as literally 30 minutes. Perhaps they rule for a few years or few months. “Half an hour” would then be an even shorter period.
SORROW
Every person is a miracle of God’s creation. The unnumbered miracles of the human body result in the astounding miracle of a living, thinking human being. God is love and His people have become like God. It is proposed that the silence of the seventh seal is caused by the immeasurable sorrow in the heart of God and in the hearts of His people at the destruction of billions of people at the return of Christ. Then Heaven will fall silent. All the singing, glorifying, and praising ceases.
It is possible that the seventh seal also points to the sorrow of the final destruction of people at the end of the Millennium:
“If anyone’s name was not found written in the book of life (in the judgment before the great white throne), he was thrown into the lake of fire” (Rev 20:15).
For further reading on Revelation, I recommend Jon Paulien’s commentary. For general discussions of theology, I recommend Graham Maxwell, who you will find on the Pineknoll website.
The purpose of this article is to show that each main part of the Book of Revelation has an introduction that emphasizes a specific part of the temple in heaven that is aligned to the theme of that part of Revelation. This article also discusses the theme of each of the five main parts of Revelation.
Summary
Major Parts of Revelation
The book of Revelation may be divided into the following major parts:
The seven letters (chapters 1 to 3);
The seven seals (4:1 to 8:1);
The seven trumpets (chapters 8 to 11);
The seven wars (chapters 12 to 14); and
The seven plagues (chapters 15 to 19);
Seven Letters
The vision of Christ in 1:9-20 serves as an introduction to the seven letters. In this vision, Christ is seen walking between seven lampstands (Rev 1:13) which symbolize the seven churches (Rev 1:20). This vision introduces the theme of the seven letters, namely messages of correction and encouragement from Christ to His church.
An important aspect of all the introductory scenes to the main parts of Revelation is that they are visions of heaven. In particular, they are visions of the temple in heaven. For example, the lampstand with its seven lamps was in the ancient Jewish temple (Heb 9:2). The vision of Jesus in Rev 1:9-20, therefore, is a vision of the temple in heaven.
The churches are on earth, but through their lampstands, they are symbolized as if they are in heaven. In Revelation, God’s people are often represented as in heaven (e.g. Rev 14:1-3; 15:2) while unbelievers are identified as “those who dwell on the earth” (e.g. Rev 13:14).
Seven Seals
The throne vision of Revelation chapters 4 and 5 functions as an introduction and provides the context for the seven seals. In Revelation 5, Jesus appears as a slain Lamb and receives a book that is sealed with seven seals. He then breaks the seals in Revelation 6:1 to 8:1, with dramatic consequences on earth and in heaven.
Similar to the introduction to the letters, this is a scene from the temple in heaven, for it shows God’s throne (Rev 4:2), which is in His temple (Rev 7:15). But the main aspect of the temple, which is in view in this vision, is the slain Lamb:
“And I saw … a Lamb standing, as if slain” (Rev 5:6).
Similar to the seven letters, the aspect of the temple on which this introduction focuses is aligned to the theme of this part of Revelation. Similar to the seven letters, the focus is on God’s people (Rev 5:9; 6:9; 7:3, 9). In the seven seals, the focus is specifically on the redemption of God’s people. For example, Jesus appears as a slain lamb and He is worthy to take the book and to break its seals; “for You were slain, and purchased for God with Your blood men from every … nation” (Rev 5:9).
Seven Trumpets
The vision of an angel serving at the golden altar, throwing fire on the earth (Rev 8:3-5), introduces the seven trumpets. This scene provides the context for the trumpets for, everywhere in the trumpets, fire falls out of heaven onto the earth. Two important examples are :
A strong angel comes down out of heaven with feet like pillars of fire, bringing a little opened book (Rev 10:1, 2), and
Fire flows out of the mouth of God’s two witnesses to devours their enemies (Rev 11:5).
In contrast to the seven letters and the seven seals, the focus in the trumpets is on non-believers (9:4, 20). For example, in the interruption between the sixth and seventh trumpets, God’s messages to them are symbolized by John having to “prophecy again” (Rev 10:11) and by the two witnesses (Rev 11:3).
The angel puts “much incense” and the prayers of the saints on this altar because the trumpets symbolize God’s grace to a lost world in the form of warning messages. The trumpets symbolize everything that God does to reconcile non-believers to Himself.
Seven Wars
The seventh and last trumpet is blown in Rev 11:15. This is the end of the world as we know it. For example, loud voices in heaven say, “The kingdom of the world has become the kingdom of our Lord and of His Christ” (11:15).
Revelation 12 begins a new main part, for it jumps back to the birth of Christ (Rev 12:2, 5) and introduces two new characters; a woman and a dragon. In Rev 13, the dragon is joined by a beast out of the sea (Rev 13:1) and by a beast from the earth (Rev 13:11). This trio is the major evil powers in the last 11 chapters of Revelation.
This new part does not begin with Rev 12:1 but with the last verse of chapter 11 (Rev 11:19). This is indicated by the following:
Revelation Rev 11:19, 12:1, and 12:3 present three successive scenes—the ark, the woman, and the dragon. All three contain the phrase “appeared … in heaven.” These three verses, therefore, form a unit. –
Each of the introductions to the previous main parts of Revelation contained images from the heavenly temple. Revelation 11:19 also contains such an image, namely the “ark of His covenant.” This implies that it is also an introductory scene. –
The “ark of His covenant” in the ancient temple contained the Ten Commandments. This connects Rev 11:19 to Rev 12 to 14, for the wars in Rev 12 to 14 are about God’s commandments. For example, while God’s people are described as commandment-keepers (Rev 12:17; 14:12), the people of the world worship an image. –
Revelation 11:18 is a fitting end to the trumpets because it is a summary in advance of the final events that are described more extensively in the remainder of Revelation:
Seven Plagues
The vision of the angels receiving the plagues from one of the four living beings (Rev 15:7) introduces the seven last plagues. This is also a temple scene for “the seven angels who had the seven plagues came out of the temple” (Rev 15:6).
Conclusion
All of these introductions are scenes from the temple in heaven. Each of them emphasizes a specific aspect of the temple that is aligned to the theme of that part of Revelation:
MAIN PART
TEMPLE VIEW
THEME
Letters Rev 1-3
Lampstand
Christ’s care for His church – sends to them letters of warning and encouragement
Seals Rev 4-7
Slain Lamb
How Jesus enables His people to stand before the throne of God.
Trumpets Rev 8-11
Golden altar, incense
God’s grace – everything that God does to warn a lost world
Wars R12-14
Ark of His covenant
The end-time war about God’s commandments
Plagues R15-
Tabernacle of testimony
“Seven plagues, which are the last, because in them the wrath of God is finished” (15:1).
– End of Summary –
Major Parts of Revelation
The book may be divided into the following major parts:
The seven letters (chapters 1 to 3);
The seven seals (4:1 to 8:1);
The seven trumpets (chapters 8 to 11);
The seven wars (chapters 12 to 14); These wars are not listed numerically, but ‘wars’ is a good description of this part of Revelation, and it is possible to divide this part into seven wars.
The seven plagues (chapters 15 to 19);
The Millennium (chapter 20); and
The New Heaven and New Earth (chapters 21 to 22).
The Seven Letters
Revelation 1 provides an introduction to the entire Book of Revelation (Rev 1:1-8), followed by a vision of Christ that serves as an introduction to the seven letters (Rev 1:9-20). In this vision, Christ is seen walking between seven lampstands (Rev 1:13) which symbolize the seven churches (Rev 1:20). This vision of Christ provides the context for and introduces the theme of the letters, namely messages of correction and encouragement from Christ to His church. Most of the seven letters start with a reference to this vision.
An important aspect of the introductory scenes to the main parts of Revelation is that they all are visions of heaven. In particular, they are visions of the temple in heaven. In the ancient Jewish temple, the lampstand with its seven lamps was in the temple (Hebr 9:2). The vision of Jesus in Rev 1:9-20, therefore, is a vision of the temple in heaven. The aspect of the temple in heaven which appears in an introduction is aligned to the theme of that part of Revelation.
If the temple in heaven is a new concept to the reader, note that Revelation indicates explicitly that there is a temple in heaven (Rev 7:15; 11:19; 14:17; 15:5). Hebrews 8 and 9 confirm this.
The Lampstands are in heaven.
“The seven lampstands are the seven churches” (Rev 1:20). Since the churches are on earth, this may imply that the lampstands are on earth. However, for the following reasons, the lampstand is in heaven:
If the temple in Revelation is in heaven, and if the lampstands are in the temple, then the lampstands must also be in heaven. –
According to Rev 2:5, each church HAS a lampstand. Each lampstand, therefore, is a SYMBOL of a church. The churches are on earth, but through their lampstands, they are symbolized as if they are in heaven. In Revelation, God’s people are often represented as in heaven (e.g. Rev 14:1-3; 15:2) while unbelievers are identified as “those who dwell on the earth” (e.g. Rev 13:14). –
We should not think of a literal temple in heaven. The temple was the place to which the Israelites in ancient times went to have their sins forgiven. As stated by Hebrews 8:5, the ancient Jewish temple was a copy. That temple was a physical representation of the mechanisms through which God solves the sin problem. Revelation refers to a temple in heaven because we are familiar with the temple on earth, but it is a symbolic temple. The temple in heaven, therefore, includes the earth. For example, the sacrifice for the temple in heaven was made on earth (Hebr 9:23) and the war in heaven was won by Christ’s victory on earth (Rev 12:11). In Revelation, heaven and earth are very close together. –
Lastly, it will be shown that all the other main parts of Revelation begin in the temple in heaven.
Conclusion
The theme of the letters is messages of encouragement from God to His church. If they overcome the world, He promises them to sit with Him on His Father’s throne (Rev 3:21).
The Seven Seals
The throne vision of Revelation chapters 4 and 5 functions as an introduction and provides the context for the seven seals. In Revelation 5, Jesus appears as a slain Lamb and receives a book that is sealed with seven seals. He then breaks the seals in Revelation 6:1 to 8:1, with traumatic consequences on earth and in heaven.
Temple in Heaven
Similar to the introduction to the letters, this is a scene from the temple in heaven, for it shows God’s throne (Rev 4:2), which is in His temple (Rev 7:15). But the main aspect of the temple, which is in view in this vision, is the slain Lamb:
“And I saw … a Lamb standing, as if slain” (Rev 5:6).
Focus on God’s people
Similar to the seven letters, the aspect of the temple on which this introduction focuses is aligned to the theme of this part of Revelation. Similar to the seven letters, the focus is on God’s people (Rev 5:9; 6:9; 7:3, 9). This focus is illustrated by the question from the lost multitudes:
“The great day of their wrath has come, and who is able to stand?” (Rev 6:17)
Non-believers are not explicitly mentioned in the seals, except when they hide, like Adam, from the One sitting on the throne, “for the great day of their wrath has come” (Rev 6:15-17).
Redemption Focus
But the focus here is specifically the redemption of God’s people, as indicated, for example, by the following:
Jesus appears as a slain lamb. They sang a new song, saying, “Worthy are You to take the book and to break its seals; for You were slain, and purchased for God with Your blood men from every … nation” (Rev 5:9). –
The seals begin when Jesus receives the sealed book at the throne (Rev 5:1) and end with all His people gathered around the throne of God (Rev 7:9). “They have washed their robes and made them white in the blood of the Lamb” (Rev 7:14).
The blood of Christ, therefore, allows people to stand before the throne of God, and the symbol of the slain Lamb introduces that theme.
The Seven Trumpets
Fire thrown on the earth
The vision of an angel serving at the golden altar, throwing fire on the earth (Rev 8:3-5), introduces the seven trumpets. This scene provides the context for the trumpets for the reader will notice that, everywhere in the trumpets, firefalls out of heaven onto the earth:
First trumpet: Fire is thrown to the earth.
Much of the earth is burned up (Rev 8:7).
Second: A burning mountain is thrown into the sea (Rev 8:8-9).
Third: A great burning star fell from heaven (Rev 8:10, 11).
Fifth: A star falls to the earth, and the sun and the air were darkened by smoke (Rev 9:1-3).
Sixth: Fire and smokeand brimstone from the mouths of horses kill a third of mankind (Rev 9:17, 18).
In the interruption between the sixth and seventh trumpets:
A strong angel comes down out of heaven with feet like pillars of fire, bringing a little opened book (Rev 10:1, 2), and
Fire flows out of the mouth of God’s two witnesses to devours their enemies (Rev 11:5).
The point is that the fire which the angel throws to earth in Rev 8:5 results in the fire that we see everywhere in the trumpets, which means that Rev 8:2-5 provides context to the trumpets.
Focus on un-believers
In contrast to the seven letters and the seven seals, the focus in the trumpets is on non-believers (Rev 9:4, 20). In the interruption between the sixth and seventh trumpets, God’s messages to them are symbolized by:
John had to “prophecy again” (Rev 10:11) and by
The two witnesses (Rev 11:3).
At the end of the sixth trumpet, the focus is again on the non-believers, but now they worship God because they fear Him (Rev 11:13), not because they love Him. This is equivalent to the non-believers hiding from God at the end of the sixth seal (Rev 6:15-17).
Warnings to a lost world
As with the introduction to the letters and the seals, the vision in Rev 8:2-5 is of the temple in heaven, specifically, of the golden altar. This introduces the theme of the trumpets:
In the ancient Jewish system, individual sinners brought their sacrifices to the altar of burnt offerings outside the temple, but sacrifices for the collective sins of the people were made at the golden altar inside the temple.
The angel puts “much incense” (the benefits of the sacrifice on the cross) and the prayers of the saints on this altar because the trumpets symbolize God’s grace to a lost world in the form of messages of warning. The trumpets represent everything God does to reconcile non-believers to Himself.
Other connections to the seals
Apart from the fact that all main parts begin in the temple in heaven, the following are further connections between the introductory scenes of the seals and the trumpets:
Lightning, voices, and thunders are seen in both (Rev 4:5; 8:5). –
Both connect “incense” to the “prayers of the saints.” In the seals, incense is defined as the prayers of the saints (Rev 5:8). In contrast, in the trumpets, incense is offered on the altar “with” the prayers of the saints (Rev 8:3-4). In Revelation, only these two verses mention the “prayers of the saints.”
The Seven Wars
Revelation 12 may be divided into seven wars as follows:
(1) “His tail swept away a third of the stars of heaven and threw them to the earth” (Rev 12:4). This possibly refers to the war in heaven before the world was created, when Lucifer deceived many angels to follow him.
(2) “The dragon stood before the woman” (Rev 12:4) is the war between Satan and God’s people in the time before the birth of Christ.
(3) The dragon attempted to devour the Child but failed (Rev 12:4-5).
(4) “There was war in heaven, Michael and his angels waging war with the dragon. The dragon and his angels waged war” (Rev 12:7). This war follows after Christ’s ascension to heaven.
(5) The 1260 days or “time and times and half a time” (Rev 12:6, 14) refers to the persecution by the Church of the Middle Ages (See The beast).
(6) The Earth defends the woman against the dragon, forcing the dragon to go away (Rev 12:16-17). This is equivalent to the “fatal wound” (Rev 13:3) and the sixth head, when the beast “is not” (Rev 17:8-10) (See The seven heads of the beast.)
(7) The dragon’s end-time war on the woman’s other children (Rev 12:17). Rev 13 describes the dragon’s attack and Rev 14 outlines the response of God’s people.
The Seventh Trumpet is the end of the world.
The first trumpet is blown in Rev 8:7. Each trumpet is clearly numbered. The last trumpet is blown in Rev 11:15. The following indicates that this is the end of the world as we know it:
Loud voices in heaven say, “The kingdom of the world has become the kingdom of our Lord and of His Christ” (Rev 11:15). –
The twenty-four elders say, “We give You thanks, O Lord God, the Almighty, who are and who were, because You have taken Your great power and have begun to reign” (Rev 11:16, 17). –
Elsewhere, Revelation identifies God as Him “who is and who was and who is to come” (e.g. Rev 1:4). But Rev 11:17 omits the “who is to come”-part because He has already come.
Revelation 12 begins a new main part.
For the following reasons, a new main part of Revelation begins with Revelation 12:
While the seventh trumpet brings an end to the current world history, Rev 12 jumps back to the time when the Son of God became a human being (Rev 12:2, 5). –
Rev 12 introduces two new characters; a woman and a dragon. In Rev 13, the dragon calls a beast out of the sea (Rev 13:1) and another one out of the earth (Rev 13:11). The latter beast deceives the inhabitants of the world to make an image of the beast (Rev 13:14). The dragon and its two helpers belong together and are the major evil powers in the last 11 chapters of Revelation. These new characters imply the beginning of a new major part of Revelation.
Revelation 11:19 introduces the Wars.
Then the question is, where exactly does this new part begin? More specifically, where does Rev 11:19 fit? Is it the end of the trumpets, or the introduction of the wars in chapters 12 to 14, or both? This verse reads:
“The temple of God which is in heaven was opened;
and the ark of His covenant appeared in His temple,
and there were flashes of lightning and sounds and peals of thunder and an earthquake and a great hailstorm”.
For the following reasons, it is proposed that Rev 11:19 is the introduction of the wars of chapters 12 to 14:
Appeared in Heaven
Revelation Rev 11:19, 12:1, and 12:3 present three successive scenes—the ark, the woman, and the dragon. The phrase “appeared” occurs just three times in Revelation: namely in these three verses. Furthermore, the phrase “in heaven” is found in each of these scenes. These three verses, therefore, form a unit.
In His Temple
Each of the introductions to the seven letters, the seven seals, and the seven trumpets contains images from the heavenly temple. Since Revelation 11:19 also contains an image from the heavenly temple, namely the “ark of His covenant” (cf. Heb 9:4), this is also an introductory scene.
Commandments of God
The “ark of His covenant” was in the innermost part of the ancient temple and contained the Ten Commandments. This connects Rev 11:19 to Rev 12 to 14, for the wars in Rev 12 to 14 are against God’s commandments:
God’s people are described as commandment-keepers (Rev 12:17; 14:12).
The people disobey the commandments on the first table, for they:
Worship the dragon and the beast (Rev 13:4),
Blaspheme God (Rev 13:6) and
Erect and worship an image (Rev 13:14, 15).
The plagues come from the “tabernacle of testimony” (Rev 15:5), which is Old Testament language for the temple of the Ten Commandments (Exo 25:16).
Lightning, Voices, and Thunder
Another indication that Rev 11:19 is an introduction is that the lightning, voices, and thunders, which we find in 11:19, also appear in the introductions to the seals (Rev 4:5) and to the trumpets (Rev 8:5).
Actually, each time that lightning, voices, and thunders are enumerated, additional elements are added:
These three elements are found in Rev 4:5.
The introduction to the trumpets adds earthquakes (8:5).
Revelation 11:19 adds both earthquakes and great hail.
The same five elements are found in Rev 16:18-21; the seventh plague.
Revelation 11:18 is a fitting end.
Revelation 11:18 is a fitting end to the trumpets because it summarizes the final events that are described more extensively in the remainder of Revelation:
Revelation 11:18
LAST 11 CHAPTERS
The nations were enraged
The wars in Rev 12 to 14
Your wrath came
The plagues in Rev 15 to 19
The time came for the dead to be judged …
The judgment before the great white throne in Rev 20
To reward … the saints …
The new heaven and new earth in chapters 21 and 22
To destroy those who destroy the earth
The lake of fire and the second death (Rev 20:14-15; 21:8)
The Seven Plagues
The vision of the angels receiving the plagues from one of the four living beings (Rev 15:7) introduces the seven last plagues. This is also a temple scene for “the seven angels who had the seven plagues came out of the temple” (Rev 15:6). The temple here is called the “tabernacle of testimony” (Rev 15:5) which emphasizes the “testimony;” a name for the Ten Commandments (Exo 25:16).
Conclusion
These introductions always are scenes from the temple in heaven and that the emphasized aspect of the temple is aligned to the theme of that part of Revelation:
Letters
Lampstand
Christ cares for His church – sends them letters of warning and encouragement
Seals
Slain Lamb
Redemption of God’s people
Trumpets
Golden altar, incense
God’s grace; messages of warning to a lost world
Wars
ark of His covenant
Wars about God’s law
Plagues
tabernacle of testimony
Judgments for
Final Conclusions
Revelation may be divided into five main parts.
Each main part of the Book of Revelation has an introduction.
Each of the introductions emphasizes a part of the temple in heaven that is aligned to the theme of that part of Revelation.
The themes of these main parts are as follows:
Seven Letters – Christ’s care for His church – Letters of warning and encouragement
Seven seals – Redemption – How Jesus enables His people to stand before the throne of God.
Seven Trumpets– Focus on unbelievers – Everything that God does to warn a lost world
Seven Wars – The end-time war about God’s commandments
Seven Plagues – In them, the wrath of God is finished.